On Katie Kitamura’s Intimacies

Yesterday, I finished reading Katie Kitamura’s recent novel Intimacies, which follows an interpreter at the International Criminal Court, who has recently moved to The Hague for that job. The novel vaults between various distances and immediacies, shifting narrative tense, sometimes mid-scene. Across this exploration of various “intimacies,” Kitamura is interested in the relationship between distance…… Continue reading On Katie Kitamura’s Intimacies

The Unpostable

I reviewed Patricia Lockwood’s No One Is Talking About This for Los Angeles Review of Books. My review tries to think through the novel’s style and wit to show how Lockwood evokes the kinds of things that can be expressed both on and off the internet. Read it here: https://lareviewofbooks.org/article/the-unpostable-on-patricia-lockwoods-no-one-is-talking-about-this/

A Tale of Two Valleys

For Public Books, I wrote about Anna Wiener’s memoir Uncanny Valley and the HBO tv show Silicon Valley. In grappling with the history and present of Silicon Valley, these both rely on nineteenth-century narratives and tropes to craft their own visions of contemporary capitalism. Read it here: https://www.publicbooks.org/a-tale-of-two-valleys/

Let Them Eat Cake

For Avidly, a channel of Los Angeles Review of Books, I wrote about the recent phenomenon of people making cakes that look like things beside cakes. I use a marxist approach to aesthetics to try to understand the way that these cakes are mediating our contemporary experience of capitalism. It’s pretty jokey and somewhat ridiculous, but I think I actually make some useful points about the place of aesthetics and memes in our current moment: http://avidly.lareviewofbooks.org/2020/07/14/let-them-eat-cake/

Home, On the Range

“Kansas was the tornado signaled by a glowering sky that Ray and Lorna knew was dangerous but kept to themselves all day,” Christine Schutt writes in the latest issue of Noon. There’s something interesting happening with the western as a genre, with the domestic narrative, with avant-garde fiction and its persistent, metonymic and metaphoric displacement of words and meanings. Read my thoughts: https://adamfales.com/2020/06/27/home-on-the-range/